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Demonstration II

by Agenbite Misery

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1.
Circe 06:42
Rows of flimsy houses Rare lamps with rainbow fans Round ice gondola Stunted men and women squabble. Snakes of river fog creep. From drains, clefts, cesspools, middens A Steel foundry? Ah, the brigade, of course. South side anyhow. Big Blaze. Might be his house. Beggar’s bush. We’re safe. London’s burning, London’s burning by! On fire! On fire! Kaw kave kankury kake. I’ll do no such thing. Pig dog and always was ever since he was pupped! To dare address me! I’ll flog him black and blue in the public streets. I’ll dig my spurs in him up to the rowel. He is a well known cuckold. They appear on a red carpeted staircase adorned with expensive plants. All are handsome, with valuable metallic faces, wellmade, respectably dressed and Well conducted, Speaking five modern languages fluently He wears a dark mantle and drooping plumed sombrero. He carries a silver-stringed inlaid dulcimer A rise on all sides of stagnant fumes. What was the most revolting piece of obscenity in all your career of crime? Go the whole hog. Puke it out. Be candid for once. To have or not to have, that is the question. The mockery of it! Kinch killed her bitchbody. She kicked the bucket. Our great sweet mother! Epi oinopa ponton. Spectral mother Mother, emaciated, rises stark through the floor in leper grey with a wreath of faded orange blossoms and a torn bridal veil London's burning, London's burning by! On fire! On fire! Gazing unseeing into Bloom’s eyes he goes on reading, kissing, smiling. He has a delicate mauve face. In his free left hand he holds a slim ivory cane with a violet bowknot. A white lambkin peeps out of his waistcoat pocket
2.
Urbane to comfort them The quaker librarian purred Glittereyed, rufous skull Sought the face, Bearded amid darkgreener shadow, Holyeyed. Art has to reveal to us ideas, formless spiritual essences. The supreme question about a work of art is out of how deep a life does it spring. This verily is that. I am the fire upon the altar. I am the sacrificial butter. Unsheathe your dagger definitions. The malestorm The sumptous murder The goad of the flesh embittered Hathaway’s bed The play begins A player arrives It is the ghost, the king and the player is him To a son he speaks, the son of his soul, the prince, young Hamlet and to the son of his body, Hamnet Shakespeare, who has died in Stratford that his namesake may live for ever. I want to know, or probable that he did not draw or foresee the logical conclusion you are the dispossessed son I am the murdered father: your mother is the guilty queen. Her ghost at least has been laid for ever. She died, for literature at least, before she was born. Horseness is the whatness of allhorse. The malestorm The sumptous murder The goad of the flesh embittered Hathaway’s bed The play begins A player arrives It is the ghost, the king and the player is him He carried a memory in his wallet as he trudged to Romeville whistling The girl I left behind me. If the earthquake did not time it we should know where to place poor Wat, sitting in his form, the cry of hounds, the studded bridle and her blue windows. That memory, Venus and Adonis, lay in the bedchamber of every light-of-love in London. Is Katharine the shrew illfavoured? Hortensio calls her young and beautiful. Do you think the writer of Antony and Cleopatra, a passionate pilgrim, had his eyes in the back of his head that he chose the ugliest doxy in all Warwickshire to he withal? Good: he left her and gained the world of men. But I Survive But I, entelechy, form of forms am I, by memory prize of their fray. Agenbuyer. I paid my way I paid my way
3.
The red labeled bottle on the table The room in the hotel with the hunting pictures Yellow streaks on his face. Death by misadventure Temporary insanity The greatest disgrace to have in the family They say the man who does it is a coward But it is not for us to judge More dead for them than for me More dead for them than for me A sudden death The best death A moment and all is over Then shovelling them under the cartload doublequick. Every mortal day a fresh batch Saltwhite crumbling mush of corpses Pallbearers, gold reins, requiem mass, firing a volley. His last lie on the earth in his box. If little Rudy lived. If I could see him grown Hear his voice in the house. My son. Me in his eyes. Strange feeling it would be. From me. I could have helped him on in life. Would he bleed if a nail cut him in the knocking about? I suppose the circulation stops. Still some might ooze from an artery. It would be better to bury them in crimson Both ends meet The coffin dived out of sight All honeycombed the ground must be The blood sinking in earth gives new life

about

“Every life is in many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love, but always meeting ourselves.”

Agenbite Misery rises once more from an obscuring haze, borne from the primordial sear of cultural malady; presenting their second demonstration. The elements are familiar, dashes of second wave black metal and NOLA sludge with notes of various other eclectic styles, yet new strokes of nonsensical aesthetics have meandered their way into this bundle of tunes; representing another trinity of epithets from James Joyce's Ulysses. The interpretations of the novel's 15th, 9th and 6th sections are rendered in newfound aural fidelity which mirrors the methodology of Agenbite Misery's upcoming full-length more closely than the initial demonstration. Partake joyfully and imbibe in hopeful expectations regarding an inevitable album release.

credits

released November 17, 2023

Mixing and Mastering by Jack Beal
Artwork by Sana Ullah

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Agenbite Misery New Hampshire

Experimental Blackened Sludge.

Molly
Steve
Leo

linktr.ee/agenbitemisery

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